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Wesley Young, teacher, director, actor, is
beginning his ninth year in Radford
University’s Dept. of Theatre and Cinema
where he teaches directing, acting, voice
and mentors aspiring theatre artists. In
addition to this work, his passions are
acting and directing. This past summer he
appeared in Mill Mountain Theatre’s
production of Into the Woods, where next
season he will direct Driving Miss Daisy.
Among the shows he has
directed at RU: Pippin, Cat on a Hot Tin
Roof, featuring Sally Struthers, Fifth of
July (also with Ms. Struthers), The Lion in
Winter with Bridget Hanley, and the very
popular The Best Little Whorehouse in Texas
starring Susann Fletcher-Smith. Young has
appeared on the RU stage himself in his
all-time favorite role as Irish wit and
dramatist Oscar Wilde in Diversions and
Delights which he also produced and
directed, and Morris Lacey in The Dark at
the Top of the Stairs. Last year, he was
seen as Drosselmeyer in RU Ballet Theatre’s
new production of The Nutcracker and as the
emcee of the RU Opera Ensemble’s Beyond
Compare, a benefit for the New Orleans
Center for the Creative Arts.
Professional directing credits include
Rounding Third and Barefoot in the Park for
Kentucky Repertory Theatre, The Nerd at St.
Croix Festival Theatre and The Diary of Anne
Frank.
Wesley has served as voice, text and dialect
coach on several productions here at RU as
well as a national tour of Rent. He was also
served a guest respondent for the Summer
Musical Theatre Conservatory at UCLA taught
by renowned musical theatre and television
performer Karen Morrow.
He is a founding member of Public Theatre of
Kentucky, in his hometown of Bowling Green,
Kentucky. As an actor he has been seen on
stages from the Northeast to California –MacHaydn
Theatre, Horse Cave Theatre, Tennessee Stage
Company, Smoky Mountain Shakespeare, and
Nebraska Theatre Caravan, to name a few. He
is particularly proud of having played Prior
Walter in the Alabama premiere of Angels in
America.
Memberships/affiliations: Virginia Theatre
Association (board member, State SETC
Auditions Coordinator), Actors’ Equity
Association, Southeastern Theatre
Conference, Voice and Speech Trainers
Association and Theatre Communications
Group.
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Wesley is eternally grateful to
his mom, Brenda Lee, for always
indulging his creativity, and to
many great teachers—Edmond
Williams, Jocosa Wade, Lisa
Paulsen, Pat Taylor, Jonathan
Michaelsen and Bill Leonard
among others. He would also like
to thank Bill Teague for putting
him together with Radford and
the faculty of Theatre and
Cinema for their continued
support.
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